Ben does not talk much. When he was a child, on sunny Saturday afternoons when neighborhood kids were out in the graffiti-smeared playground chasing strayed cats on fences and hitting teeballs with wooden sticks, he would dress himself in a white checkered shirt and a grey sweater, and follow Martha docilely to museums. Staring blankly at giant paintings that dwarfed his skinny frame, he squeezed his mother's hand tightly as if to secure his place in the crowded gallery, and pushed his spectacles up his nose to ensure he did not miss a single detail. Returning home when the sun set, while Martha prepared our Saturday special mu-shu pork and chicken soup in the kitchen, Ben sat silently at the dinner table with a set of well chewed color pencils and a large white sheet of paper, and tried to recreate the vision he captured meticulously during the outing. Martha slipped unintrusively to his side, witnessed his progression with an intrigued smile, and gently stroked his jet-black hair in slow palsating rhythm. His works of art, simple, innocent and abstract all at the same time, filled up the entire kitchen door, until new ones replaced them a few months later. Situated in Embarcadero, the architectural firm that hired Ben two years ago is one of three biggest in San Francisco. At the entrance sit two blond-hair receptionists in grey suits who instantaneously notice my arrival the moment I exit the elevator. "May I ... speak with Benjamin Li please?" I ask meekly. "Certainly. Which time slot is your arranged appointment?" The younger one on the right replies in a well practiced rhythm. Sensing a split second of indecision, the older one rescues me in a reassuring tone, "I will notify him right away, sir. Please wait a minute," sending a glance of admonition to the other. In a minute, Ben appears from the buzzing corridors in a navy blue blazer and blue jeans sans necktie. "Dad, is everything okay?" Ben inquires with sincere concern. Standing tall and muscular, Ben towers over me; my aged and weathered frame is a dwindling shadow to his formidable presence. "Nothing is the matter. I just had dim sum with Auntie Mable." Ben narrows his eyes; Mable's far-reaching manipulation is notorious. "You are busy... I will drop by another time." I begin to take my leave. "No please, I am finishing a meeting, why don't you wait at my cube?" Without waiting for a response, he leads me by the arm to a larger-than-average unit in the middle of the cubicle fortress. As he disppears into a conference room, I lower myself to a guest chair nudged between his large beige office desk and a pot of oversized synthetic evergreen. Secretaries, draftmen, architects and managers continue to stream pass the hallway in fast and purposeful motion. Feeling slightly out-of-place, I survey my surrounding in slow and deliberate movements. Besides the office desk that sits in the middle, a tilted drafting table hides further in the back corner. The charcoal cubicle walls are pinned full of roughly scribbled reminders in pastel colors. On the desktop are mountains of official documents, architectural drawings and a cantankeriously humming computer. At the corner of his desk, half covered by his black overcoat, sits a small, old photo of Martha in a dark wooden frame. I suppose she still smiles at him when he draws.
Ben returns a little more than ten minutes later. "I am sorry, the meeting is extended another 30 minutes. Why don't you wait at the coffee shop at the street corner? It's warm and quiet, and Chai tea is great there. Nancy will guide you." Not wanting to cause any more disturbance, I retreat subserviently from the premise with the older receptionist Nancy. Along the way, Nancy tells how diligent and valuable Ben has been to the firm, having just completed a large IT facility project in San Jose. "The firm will take care of the bill. Please make yourself at home," She smiles warmly when we reach the posh cafe, nods and returns to the office.
The sun is beginning to set, laying a long shadow from the door on the Persian carpet that hugs the sandy parquet floor. The sound of coffee cups lightly clanging against each other can be heard with a steady flow of running water as they are carefully handwashed. Next to traces of bagel crumbs deserted by earlier patrons, I sip a warm cup of tea alone on a corner stool; businessmen are still hard at work while housewives have long returned home from shopping to prepare evening dinners. Big yellow taxis, carrying homeward-bound mothers and school children in uniforms, pass by in synchrony with the periodic color changes of the street traffic signals.
Since when has Ben grown from an introverted boy to a factory-made white collar contributor to great American enterprises? It is as if all these years of family life, even the years while Martha was still alive, had been compressed into a single hour of movie clip, and flashed before ones' eyes without a chance for cherished rememberance. Ben grew even quieter after Martha's passing, focused on his schoolwork and his drawings. He always excelled, never complained, and never voiced an objective of any kind. As a single father, I could not possibly ask for a more obedient son, yet in a singular momentary lapse, he has become a faceless stranger, one who exists in a foreign dimension than my own. I reconsider my hidden fear that I am now unable to surpress: Do my failure to protect Martha and subsequent silence mean an eventual loss of my own son as well?
I leave before Ben's arrival.
